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The Book The Filmmaker s Eye
The Author Gustavo Mercado
The Publisher Taylor & Francis
Release Date2013-05-20
Genre Performing Arts
Pages 208
ISBN 9781136057335
Language English, Spanish, And French

READING: This is the only book that combines conceptual and practical instruction on creating polished and eloquent images for film and video with the technical know-how to achieve them. Loaded with hundreds of full-color examples, The Filmmaker's Eye is a focused, easy-to-reference guide that shows you how to become a strong visual storyteller through smart, effective choices for your shots. This book has struck a chord worldwide and is being translated into several languages After a short introduction to basic principles, a variety of shots are deconstructed in the following format: - Why It Works: an introduction to a particular type of shot - How It Works: callouts point out exactly how the shot works the way it does--the visual rules and technical aspects in action - Technical Considerations: the equipment and techniques needed to get the shot. - Breaking the Rules: examples where the "rules" are brilliant subverted

The Book The Filmmaker s Eye The Language of the Lens
The Author Gustavo Mercado
The Publisher Focal Press
Release Date2015-06-01
Genre Performing Arts
Pages 224
ISBN 0415821312
Language English, Spanish, And French

READING: Understanding the language of the lens is key for today's filmmakers and cinematographers. Lenses and the different images they produce have the power to propel story, evoke dramatic/emotional responses from the audience, as well as give a film a certain aesthetic. Today, interchangeable lens systems are more accessible than ever due to their decreasing prices and the increasing amounts of cameras that allow for interchangeable lens use. While some cinematography books touch on the use of different lenses, this is the first book to treat the topic with the breadth it commands. Following the same format of the author's first book, the very successful, Filmmaker's Eye: Learning (and Breaking) the Rules of Cinematic Composition, Filmmaker's Eye: Language of the Lens shows readers in a visually-stunning way how crucial lens selection is to the design and intentions of a filmmaker's visual story. Scenes from a wide range of movies are shown in 4-color, and then broken down to convey what lens was used, why it was used, and how the reader can use that lens on their own film to achieve the look, story, and emotions they seek.

The Book The Hypersexuality of Race
The Author Celine Parreñas Shimizu
The Publisher Duke University Press
Release Date2007-07-30
Genre Social Science
Pages 339
ISBN 082234033X
Language English, Spanish, And French

READING: A study of the Asian woman as sexual icon in visual culture.

The Book Three Documentary Filmmakers
The Author William Rothman
The Publisher SUNY Press
Release Date2009-03-05
Genre Performing Arts
Pages 246
ISBN 1438425023
Language English, Spanish, And French

READING: Uses new critical approaches to demonstrate deep affinities in these vastly different filmmakers’ philosophies on film, fantasy, and reality.

The Book Media Computing
The Author Chitra Dorai
The Publisher Springer Science & Business Media
Release Date2002-06-30
Genre Computers
Pages 198
ISBN 1402071027
Language English, Spanish, And French

READING: Media Computing: Computational Media Aesthetics is an essential reference for both professional and academic researchers in the fields of content management, media analysis, video indexing, video annotation, semantic indexing, MPEG-7, and multimedia systems. It will also be of interest to those working in signal processing, image processing, computer vision, audio analysis, and speech processing. With the explosion of digital media and online services, a key challenge is the automation of content annotation, indexing and organizing for efficient media access, retrieval and browsing. Today, a major failing of automated media annotation systems is the semantic gap - the incompatibility between the low-level features that can be computed now to describe media and the high-level meaning sought by user queries in search for audio and video. This book explores the new area of computational media aesthetics to bridge the semantic gap. It brings together researchers from multiple disciplines, from computer scientist to content creators from engineers to media specialists, to highlight recent advances in this area. It examines the elements of media production and aesthetics principles in order to establish the foundation for semantics indexing, and to build innovative and effective technologies for content annotation, search, and browsing. Media Computing: Computational Media Aesthetics outlines strategic means and methods to derive high level semantic constructs from automatic analysis of media. It is suitable for the use as a text in courses on multimedia and informational retrieval.

The Book Bummer
The Author Janice Shapiro
The Publisher Catapult
Release Date2010-10-10
Genre Fiction
Pages 210
ISBN 9781593763862
Language English, Spanish, And French

READING: The women featured in these stories have one thing in common: Theyre having a terrible day. Theres the housewife so entranced by the pristine order of her neighbors belongings that she cant stop herself from breaking into their home. Theres the mother easing her young son through the trauma of a murder, suddenly confronted with the reappearance of his father. Theres the vulnerable middle-aged woman stuck in a coffee-chain job alongside snotty college kids, the talent manager supervising a corral of misguided young stars, and the spiky-haired artist who literally dumps her slacker fiance—from a moving car—and moves angrily through Vegas, hitting the bars and casinos before engaging in an ill-advised fling with a sleazy player named Ramon. Janice Shapiro has created a cast of utterly distinct outsiders, yet her earthy warmth and asymmetrical humor so suffuse the stories that they surge with a collective voice, and the readers experience is that of getting to know a group of close-knit but independent friends. Shapiros gift for pitch-perfect dialogue—along with her instinctual ease in writing about such fraught topics as commercial sex, death, and the everyday tragedies of growing older—makes her voice one to be relished: tough-minded, sardonic, intimate, and free.

The Book Eye on the World
The Author Judy Stone
The Publisher
Release Date1997
Genre Performing Arts
Pages 826
ISBN UOM:39015041368781
Language English, Spanish, And French

READING: More than 200 filmmakers from forty countries are included in this unique and engrossing look at cinema around the world. They are profiled in discussions with Ms. Stone that get to the heart of these artists' works and their underlying views of the world - the political and cultural contexts - that inform their works. Definitely not a dry-as-dust academic survey, this inviting and enlightening blend of conversations and commentaries, most of which are drawn from the author's long-running film column for the San Francisco Chronicle, is a must-read for all who enjoy intelligent filmmaking.

The Book The Exploding Eye
The Author Wheeler W. Dixon
The Publisher SUNY Press
Release Date1997
Genre Performing Arts
Pages 250
ISBN 0791435652
Language English, Spanish, And French

READING: Explores the work of lesser-known American experimental filmmakers whose films, though well-received and influential, have been excluded from the dominant film canon.

The Book The Radio Eye
The Author Jerry White
The Publisher Wilfrid Laurier Univ. Press
Release Date2009-11-17
Genre Performing Arts
Pages 285
ISBN 1554582121
Language English, Spanish, And French

READING: The Radio Eye: Cinema in the North Atlantic, 1958–1988, examines the way in which media experiments in Quebec, Newfoundland, the Faroe Islands, and the Irish-Gaelic-speaking communities of Ireland use film, video, and television to advocate for marginalized communities and often for “smaller languages.” The Radio Eye is not, however, a set of isolated case studies. Author Jerry White illustrates the degree to which these experiments are interconnected, sometimes implicitly but more often quite explicitly. Media makers in the North Atlantic during the period 1958–1988 were very aware of each other’s cultures and aspirations, and, by structuring the book in two interlocking parts, White illustrates the degree to which a common project emerged during those three decades. The book is bound together by White’s belief that these experiments are following in the idealism of Soviet silent filmmaker Dziga Vertov, who wrote about his notion of “the Radio Eye.” White also puts these experiments in the context of work by the Cuban filmmaker and theorist Julio García Espinosa and his notion of “imperfect cinema,” Jürgen Habermas and his notions of the “public sphere,” and Édourard Glissant’s ideas about “créolité” as the defining aspect of modern culture. This is a genuinely internationalist moment, and these experiments are in conversation with a wide array of thought across a number of languages.

The Book The Cinema of Me
The Author Alisa Lebow
The Publisher Columbia University Press
Release Date2012-05-29
Genre Performing Arts
Pages 288
ISBN 9780231850162
Language English, Spanish, And French

READING: When a filmmaker makes a film with herself as a subject, she is already divided as both the subject matter of the film and the subject making the film. The two senses of the word are immediately in play – the matter and the maker—thus the two ways of being subjectified as both subject and object. Subjectivity finds its filmic expression, not surprisingly, in very personal ways, yet it is nonetheless shaped by and in relation to collective expressions of identity that can transform the cinema of 'me' into the cinema of 'we'. Leading scholars and practitioners of first-person film are brought together in this groundbreaking collection to consider the theoretical, ideological, and aesthetic challenges wrought by this form of filmmaking in its diverse cultural, geographical, and political contexts.

The Book The Tactile Eye
The Author Jennifer M. Barker
The Publisher Univ of California Press
Release Date2009-05-27
Genre Performing Arts
Pages 208
ISBN 0520943902
Language English, Spanish, And French

READING: The Tactile Eye expands on phenomenological analysis and film theory in its accessible and beautifully written exploration of the visceral connection between films and their viewers. Jennifer M. Barker argues that the experience of cinema can be understood as deeply tactile—a sensuous exchange between film and viewer that goes beyond the visual and aural, gets beneath the skin, and reverberates in the body. Barker combines analysis of embodiment and phenomenological film theory to provide an expansive description of cinematic tactility. She considers feminist experimental film, early cinema, animation, and horror, as well as classic, modernist, and postmodern cinema; films from ten national cinemas; and work by Chuck Jones, Buster Keaton, the Quay Brothers, Satyajit Ray, Carolee Schneemann, and Tom Tykwer, among others.

The Book Ineffably Urban Imaging Buffalo
The Author Dr Miriam Paeslack
The Publisher Ashgate Publishing, Ltd.
Release Date2013-12-21
Genre Political Science
Pages 226
ISBN 1409458024
Language English, Spanish, And French

READING: While illustrated by Buffalo in particular, this book examines a broader phenomenon: the identity of those cities that were built and blossomed during the late 19th and early 20th century and are now in different stages of decline and disintegration. Bringing together a range of scholars from the humanities, the social sciences, art and architecture, this volume looks at both the literal city image and urban representation generated by photographs, video, historical and contemporary narratives, and grass-root initiatives. It investigates the notion of agency of media in the city and, in return, what the city’s agency is.

The Book Maori and Aboriginal Women in the Public Eye
The Author Karen Fox
The Publisher ANU E Press
Release Date2011-12-01
Genre Social Science
Pages 257
ISBN 9781921862625
Language English, Spanish, And French

READING: "From 1950, increasing numbers of Aboriginal and Māori women became nationally or internationally renowned. Few reached the heights of international fame accorded Evonne Goolagong or Dame Kiri Te Kanawa, and few remained household names for any length of time. But their growing numbers and visibility reflected the dramatic social, cultural and political changes taking place in Australia and New Zealand in the second half of the twentieth century. This book is the first in-depth study of media portrayals of well-known Indigenous women in Australia and New Zealand, including Goolagong, Te Kanawa, Oodgeroo Noonuccal and Dame Whina Cooper. The power of the media in shaping the lives of individuals and communities, for good or ill, is widely acknowledged. In these pages, Karen Fox examines an especially fascinating and revealing aspect of the media and its history -- how prominent Māori and Aboriginal women were depicted for the readers of popular media in the past."--Publisher's description.

The Book Library Notes
The Author
The Publisher
Release Date1971
Genre Libraries
ISBN UCAL:B3309707
Language English, Spanish, And French
The Book The Altering Eye
The Author Robert Phillip Kolker
The Publisher Open Book Publishers
Release Date2009-01
Genre Performing Arts
Pages 326
ISBN 9781906924034
Language English, Spanish, And French

READING: The Altering Eye covers a "golden age" of international cinema from the end of WWII through to the New German Cinema of the 1970s. Combining historical, political, and textual analysis, the author develops a pattern of cinematic invention and experimentation from neorealism through the modernist interventions of Jean-Luc Godard and Rainer Maria Fassbinder, focusing along the way on such major figures as Luis Bunuel, Joseph Losey, the Brazilian director Glauber Rocha, and the work of major Cuban filmmakers. Kolker's book has become a much quoted classic in the field of film studies providing essential reading for anybody interested in understanding the history of European and international cinema. This new and revised edition includes a substantive new Preface by the author and an updated Bibliography."

The Book The Education of the Filmmaker in Europe Australia and Asia
The Author M. Hjort
The Publisher Springer
Release Date2013-07-17
Genre Performing Arts
Pages 269
ISBN 9781137070388
Language English, Spanish, And French

READING: Practice-based film education is a crucial element in the institutional landscape of film. This book fills the gap in understanding practice-based film scholarship, focusing on Europe, Asia, and Australia.

The Book Eye of the Century
The Author Francesco Casetti
The Publisher Columbia University Press
Release Date2008
Genre Performing Arts
Pages 269
ISBN 9780231139946
Language English, Spanish, And French

READING: In this brilliant book, acclaimed film scholar Francesco Casetti examines film's nature and role in the twentieth century, an age obsessed with immediacy, worried about newness, eager for nearness and transparency, and torn apart by conflict. In its time, cinema negotiated the different needs of modernity, compared and united conflicting stimuli, and provided answers for everydayness. Film cultivated a personal gaze, intimately tied to the emergence of point of view, but also able to restore the immediacy of the real; a complex gaze, in which reality and imagination were combined; a piercing gaze, achieved by machine, and yet deeply anthropomorphic; an excited gaze, rich in perceptive stimuli, but also attentive to the spectator's orientation; and an immersive gaze, which gave the impression of being inside the seen world while also maintaining a sense of distance. Each of these gazes combined two different qualities and balanced them, resulting in a synthesis that strived to bring about true compromises without ever sacrificing the complexity of contradiction. As Casetti demonstrates, film proposed a vision that, in making opposites permeable, modeled itself on an oxymoronic principle, and is therefore the key to understanding the modern experience.

The Book The Filmmaker s Guide to Final Cut Pro Workflow
The Author Dale Angell
The Publisher Taylor & Francis
Release Date2013-07-18
Genre Performing Arts
Pages 272
ISBN 9781136060625
Language English, Spanish, And French

READING: The Filmmaker's Guide to Final Cut Pro Workflow is the comprehensive roadmap to affordable postproduction workflow using Final Cut Pro, Cinema Tools, and Pro Tools. Illuminating workflow and the interrelationship of these software applications, it also focuses on cost saving and efficiency, aiding low-budget, independent moviemakers as well as students trying to take their skills to the professional level. Author Dale Angell offers a practical guide to complete film postproduction workflow, describing low-cost workflow that can be used for 35mm film, High Definition digital video, or DV/Red Camera. The Filmmaker's Guide to Final Cut Pro Workflow will help the independent filmmaker working on a tight budget: . Understand capturing picture when shooting on film or digital video . Finishing the project on either film or video . Audio edit workflows for both film and video . Comprehend NTSC and PAL video as well as modern digital video formats . Understand timecode and the file architecture in Final Cut Pro, Cinema Tools, and Pro Tools

The Book Magill s Cinema Annual
The Author Christine Tomassini
The Publisher St James Press
Release Date2003-05-01
Genre Performing Arts
Pages 650
ISBN 1558624597
Language English, Spanish, And French

READING: "Magill's Cinema Annual provides comprehensive information on the theatrical releases of each year. Featured are extensive essays, cast and character listings, production credits, running time, country of origin, MPAA rating, nine comprehensive indexes and more.

The Book Claude Jutra
The Author Jim Leach
The Publisher McGill-Queen's Press - MQUP
Release Date1999-09-01
Genre Performing Arts
Pages 320
ISBN 9780773567917
Language English, Spanish, And French

READING: Through close readings of Jutra's major films, Jim Leach analyses their distinctive cinematic qualities and discusses the responses they have received from reviewers and critics. He focuses both on the films and the historical and cultural contexts in which they were made, arguing that critics have frequently used inappropriate criteria to judge them and that these misunderstandings reveal much about attitudes to Canadian cinema in general. Jutra's films are shown to reflect the instability of their cinematic and cultural contexts and raise important questions about nationhood. Jutra always identified himself as a separatist and his films were shaped by the rapid changes in Quebec society during the Quiet Revolution and by the political tensions of the sixties and seventies. At the same time his work was often appreciated by English Canadian critics and audiences and was affected by federal film policy and institutions. Although Jutra died in 1986, his films and career still have much to tell us about Canadian cinema and media production, and about the complex cultural contexts that underlie the ongoing debates on Canadian and Quebec nationhood.