READING: A HISTORY OF ROMAN ART, ENHANCED EDITION is a lavishly-illustrated survey of the art of Rome and the Roman Empire from the time of Romulus to the death of Constantine, presented in its historical, political, and social context. This ENHANCED EDITION has added coverage on Etruscan art in the beginning of the text. All aspects of Roman art and architecture are treated, including private art and domestic architecture, the art of the Eastern and Western provinces, the art of freedmen, and the so-called minor arts, including cameos, silverware, and coins. The book is divided into four parts-Monarchy and Republic, Early Empire, High Empire, and Late Empire-and traces the development of Roman art from its beginnings in the 8th century BCE to the mid fourth century CE, with special chapters devoted to Pompeii and Herculaneum, Ostia, funerary and provincial art and architecture, and the earliest Christian art. The original edition of this text was warmly received in the market based on a high level of scholarship, comprehensive contents, and superb visuals. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.

READING: Winner of the prestigious TAA Textbook Excellence Award, A HISTORY OF ROMAN ART has been updated to reflect scholarship advances of the past decade, and dramatically expands the lavish photographic documentation of the first edition with more than 400 new color photographs in the text. A HISTORY OF ROMAN ART surveys the art of Rome and its empire from the time of Romulus to the death of Constantine presented in its historical, political, and social context. Divided into four parts (Italy before and during the Republic; and the Early, High, and Late Empires), each of the 21 chapters combines a discussion of general issues and individual monuments with a series of boxed essays on architectural terminology; materials and techniques; religion and mythology; the cultural context of works of art; the role of patrons; and the problems that ancient artists and architects faced and how they solved them. Special chapters are devoted to Pompeii and Herculaneum and funerary and provincial art in all media. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.

READING: Rome continues to be the monumental expression of a legend. It is the eternal city where all roads of the ancient world converged, and through the millennia has been the model for the very concept of a universal empire. Through art, architecture, and urban planning, the empire expanded with an exceptional synthesis of technology, politics, law, and propaganda, conquering Europe, the Mediterranean, and the Near East. Accompanied by masterpieces of architecture, sculpture and painting and the words of illustrious figures, Ancient Rome: Art, Architecture, and History follows the arc of the city and its civilization from their beginnings to their height and decline. Included are discussions of the emperor Augustus; the Julio-Claudian dynasty; the ill-fated town of Pompeii; the architecture and planning of the metropolis; the art and architecture of the provinces of Europe and North Africa; and the fall of the Western Empire and the establishment of the Byzantine Empire as the heir of Rome.

READING: This handbook explores key aspects of art and architecture in ancient Greece and Rome. Drawing on the perspectives of scholars of various generations, nationalities, and backgrounds, it discusses Greek and Roman ideas about art and architecture, as expressed in both texts and images, along with the production of art and architecture in the Greek and Roman world.

READING: The character of Roman art history has changed in recent years. More than ever before, it is concerned with the role of art in ancient society, including the functions that it served and the values and assumptions that it reflects. At the same time, images have become centrally important to the study of ancient history in general. This book offers a, critical introduction to Roman art against the background of these developments. Focusing on selected examples and themes, it sets the images in context, explains how they have been interpreted, and explodes some of the modern myths that surround them. It also explores some of the problems and contradictions that we face when we try to deal with ancient art in this manner. From wall-paintings to statues, from coins to the gravestones, this is a lucid and often provocative appraisal of the world of Roman images.

READING: The recent crisis in the world of antiquities collecting has prompted scholars and the general public to pay more attention than ever before to the archaeological findspots and collecting histories of ancient artworks. This new scrutiny is applied to works currently on the market as well as to those acquired since (and despite) the 1970 UNESCO Convention, which aimed to prevent the trafficking in cultural property. When it comes to famous works that have been in major museums for many generations, however, the matter of their origins is rarely considered. Canonical pieces like the Barberini Togatus or the Fonseca bust of a Flavian lady appear in many scholarly studies and virtually every textbook on Roman art. But we have no more certainty about these works' archaeological contexts than we do about those that surface on the market today. This book argues that the current legal and ethical debates over looting, ownership and cultural property have distracted us from the epistemological problems inherent in all (ostensibly) ancient artworks lacking a known findspot, problems that should be of great concern to those who seek to understand the past through its material remains.

READING: From monumental tombs and domestic decoration, to acts of benefaction and portraits of ancestors, Roman freed slaves, or freedmen, were prodigious patrons of art and architecture. Traditionally, however, the history of Roman art has been told primarily through the monumental remains of the emperors and ancient writers who worked in their circles. In this study, Lauren Petersen critically investigates the notion of 'freedman art' in scholarship, dependent as it is on elite-authored texts that are filled with hyperbole and stereotypes of freedmen, such as the memorable fictional character Trimalchio, a boorish ex-slave in Petronius' Satyricon. She emphasizes integrated visual ensembles within defined historical and social contexts and aims to show how material culture can reflect preoccupations that were prevalent throughout Roman society. Interdisciplinary in scope, this book explores the many ways that monuments and artistic commissions by freedmen spoke to a much more complex reality than that presented in literature.

READING: This book, first published in 2004, develops a theory for the understanding of Roman pictorial art. By treating Roman art as a semantic system it establishes a connection between artistic forms and the ideological messages contained within. The history of Roman art traditionally followed the model of a sequence of stylistic phases affecting the works of their era in the manner of a uniform Zeitgeist. By contrast, the author shows different stylistic forms being used for different themes and messages. The reception of Greek models, a key phenomenon of Roman art, thus appear in a new light. The formulations of specific messages are established from Greek art types of different eras serving to express Roman ideological values: classical forms for the grandeur of the state, Hellenistic forms for the struggling effort of warfare. In this way a conceptual and comprehensible pictorial language arose, uniting the multicultural population of the Roman state.

READING: Analysis of the body language of statues of men and women as an indicator of gender relations in Roman society.

READING: A History of Roman Art provides a wide–ranging survey of the subject from the founding of Rome to the rule of Rome′s first Christian emperor, Constantine. Incorporating the most up–to–date information available on the topic, this new textbook explores the creation, use, and meaning of art in the Roman world. Extensively illustrated with 375 color photographs and line drawings Broadly defines Roman art to include the various cultures that contributed to the Roman system Focuses throughout on the overarching themes of Rome?s cultural inclusiveness and art?s important role in promoting Roman values Discusses a wide range of Roman painting, mosaic, sculpture, and decorative arts, as well as architecture and associated sculptures within the cultural contexts they were created and developed Offers helpful and instructive pedagogical features for students, such as timelines; key terms defined in margins; a glossary; sidebars with key lessons and explanatory material on artistic technique, stories, and ancient authors; textboxes on art and literature, art from the provinces, and important scholarly perspectives; and primary sources in translation A book companion website is available at www.wiley.com/go/romanart with the following resources: PowerPoint slides, glossary, and timeline Steven Tuck is the 2014 recipient of the American Archaeological Association′s Excellence in Undergraduate Teaching Award.

READING: A HISTORY OF ROMAN ART, ENHANCED EDITION is a lavishly-illustrated survey of the art of Rome and the Roman Empire from the time of Romulus to the death of Constantine, presented in its historical, political, and social context. This ENHANCED EDITION has added coverage on Etruscan art in the beginning of the text. All aspects of Roman art and architecture are treated, including private art and domestic architecture, the art of the Eastern and Western provinces, the art of freedmen, and the so-called minor arts, including cameos, silverware, and coins. The book is divided into four parts-Monarchy and Republic, Early Empire, High Empire, and Late Empire-and traces the development of Roman art from its beginnings in the 8th century BCE to the mid fourth century CE, with special chapters devoted to Pompeii and Herculaneum, Ostia, funerary and provincial art and architecture, and the earliest Christian art. The original edition of this text was warmly received in the market based on a high level of scholarship, comprehensive contents, and superb visuals. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.

READING: The evolution of Roman imagery is placed in the political and social context of Republican Rome and the Empire in this groundbreaking study.

READING: A Companion to Roman Art encompasses various artistic genres, ancient contexts, and modern approaches for a comprehensive guide to Roman art. Offers comprehensive and original essays on the study of Roman art Contributions from distinguished scholars with unrivalled expertise covering a broad range of international approaches Focuses on the socio-historical aspects of Roman art, covering several topics that have not been presented in any detail in English Includes both close readings of individual art works and general discussions Provides an overview of main aspects of the subject and an introduction to current debates in the field

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READING: Ideal for readers who are studying Roman art for the first time, this exceptionally well-illustrated volume explores Roman art in the traditional historical manner—with a focus on painting, sculpture, architecture, and minor arts. It assumes no prior acquaintance with the classical world, and explains the necessary linguistic, historical, religious, social, and political background needed to fully understand Roman art. The authors present the history of Roman Art from the following time periods: Etruscan Forerunners 100-200 BC.; The Roman Republic 509-27 BC.; Augustus and the Imperial Idea 27 BC-AD 14; The Julio-Claudians AD 14-68; The Flavians: Savior to Despot AD 69-98; Trajan; Optimus Princeps AD 98-117; Hadrian and the Classical Revival AD 117-138; The Antonines AD 138-193; The Severans AD 193-235; The Soldier Emperors AD 235-284; The Tetrarchs AD 284-312; Constantine AD 307-337 and the Aftermath.

READING: Published to accompany a travelling exhibition organised by the American Federation of Arts and the Musee du Louvre, this publication features an extraordinary selection of these works dating from the first century B.C. to the early fourth century A.D.fr

READING: In less than fifty-three years, Rome subjected most of the known world to its rule. This authoritative and compelling work tells the story of the rise of Rome from its origins as a cluster of villages to the foundation of the Roman Empire by Augustus, to its consolidation in the first two centuries CE. It also discusses aspects of the later Empire and its influence on Western civilization, not least of which was the adoption of Christianity. Packed with fascinating detail and written by acknowledged experts in Roman history, the book expertly interweaves chapters on social and political history, the Emperors, art and architecture, and the works of leading Roman poets, historians, and philosophers. Reinforcing the book's historical framework are maps, diagrams, a useful chronology, and a full bibliography. Taken as a whole, this rich work offers an indispensable resource on the history of one of the world's greatest empires.

READING: An indispensable guide to the creative output of the Roman empire. In this companion volume to Gisela Richter's Handbook of Greek Art, the subject of Roman art is treated by a team of 11 experts. Extending in time from Early Rome to Late Antiquity, and including the provinces as well as Rome and Italy, the book covers a vast scope, ranging from architecture and painting to jewellery, coins and inscriptions. Richly illustrated and with detailed notes and bibliography, this survey is a comprehensive text for all students of Roman art and civilization.

READING: Greek and Roman art in the Fitzwilliam Museum.

READING: "This is a stimulating book and should be compulsory reading for all students of Roman art." ---Classical Review "For all the authors, attention to the ensemble, a sense of the relation between the formal and the iconographic, and the desire to historicize their material contribute to making this anthology unusual in its rigorous and creative attention to the way that art and architecture participate in the construction of the image of the Roman elite." ---Art Bulletin Roman Art in the Private Sphere presents an impressive case for the social and art historical importance of the paintings, mosaics, and sculptures that filled the private houses of the Roman elite. The six essays in this volume range from the first century B.C.E. to the fourth century C.E., and from the Italian peninsula to the Eastern Empire and North African provinces. The essays treat works of art that belonged to every major Roman housing type: the single-family atrium houses and the insula apartment blocks in Italian cities, the dramatically sited villas of the Campanian coast and countryside, and the palatial mansions of late antique provincial aristocrats. In a complementary fashion the essays consider domestic art in relation to questions of decorum, status, wealth, social privilege, and obligation. Patrons emerge as actively interested in the character of their surroundings; artists appear as responsive to the desire of their patrons. The evidence in private art of homosexual conduct in high society is also set forth. Originality of subject matter, sophisticated appreciation of stylistic and compositional nuance, and philosophical perceptions of the relationship of humanity and nature are among the themes that the essays explore. Together they demonstrate that Roman domestic art must be viewed on its own terms. Elaine K. Gazda is Professor of the History of Art and Curator of Hellenistic and Roman Antiquities at the Kelsey Museum of Archaeology, University of Michigan.